Close to Tears

A friend sent me a text with comments about Dreams of Verdant Decadence and I was quite overwhelmed. With her permission it is reprinted here:

“But when I entered that sanctuary of your labours wrapped in poetry from the heart and soul, sparing no truthfully felt emotion…. I was pretty much spellbound!

I don’t want to try and put totally into words right now everything I experienced as I stood, and walked carefully around….
But I can say that I did feel awe.
Your skill, patience, determination, endurance, imagination, and conviction reach out from this garden which for me grows from within outwards… from the different levels of darkness which are actually also different levels of light.

Well I could write quite a commentary and I hope to go again and stand… and listen.
I have only seen two of your exhibitions:  I love both! Your daring-embedded-in- vulnerability creates more than impressions…
it makes soul Imprints.

Tears?
Yes! They welled up in my heart a few times, from the moment of approach….
There is a depth of feeling in that soul refuge you have made that both births nurturing secrets and liberates mature ones in the tones of simple primal honesty.”


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Dreams Continue

Thanks to the wonderful team at Umbrella Contemporary Arts my Dreams of Verdant Decadence exhibition has been extended until the April 21st. One advantage of being downstairs is that the vault space isn’t in constant use, unlike the upstairs exhibition spaces. This means that my installation can go on for longer.

I haven’t yet worked out what my next visual art project will be, though I do want to focus more on my writing this year. I’m secretary (a purely volunteer role) for the Townsville Writers & Publishers Centre so I figure it’s about time I finish editing the fantasy novels I’ve been writing for years and try and get them out there. Meanwhile I’m trying to put together a booklet on my installation. I don’t have the design expertise and experience to make a professional booklet but at least I will have a memory of what was and will be able to print copies of it as I want them.

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From the mundane to the magical

It’s amazing what lighting can do for an installation. Some of the flowers in Dreams of Verdant Decadence are pretty without the UV lights but as can be seem in this collage of the same flower and leaves with and without the UV lighting they change quite dramatically.

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More in the Decadence corridor

Hi Folks,

It seems I can’t help myself. With only a couple of weeks left of my exhibition, I’m still drawing on the walls. It’s fun to ‘sneak’ in and add some more, though I do wonder if any of the Umbrella staff have actually noticed that the walls are still changing. 🙂

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Subconscious Shenanigans

Image of

This Dreams of Verdant Decadence installation consists of two parts: the flowers etc. in the vault itself and scribbled black drawings and text in the corridor outside. My stated aim was that the richness and profusion of shapes and colours in the vault would form an incongruous counterpoint to the verse and drawings scribbled in black chalk in the outer corridor, thus opening a juxtaposed dialogue between these vastly different environments. I am also inviting viewers to reflect on the fecundity, richness and variety found in nature as opposed to the singular, repetitive nature of the architecture that the exhibition inhabits.

I hope that this aim is realised, even if only at a subconscious level. I sometimes doubt if we ever really know what we’ve taken content-wise from the world around us. The subconscious mind is a wondrous and mysterious thing. I find it fascinating what crops into your head when you least expect it. You’d think, after three months of four hours a day on average spent cutting and painting plastic flowers, I’d be thoroughly sick of it but apparently not. Late on Sunday night, two days after the opening, a design for a large new flower popped into my skull and I could not get it out (the visual equivalent of an ear worm). I kept working out the technique of how best to make it when what I really wanted to do was go to sleep!

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Installation Fun & Games

Handmade plastic flowers lining the wall of a vault.

The problem with being the type of artist who continually changes their approach to their art is that I haven’t learnt what the difficulties might be and so have to solve the problems when they occur instead of preventing them. This was very much the case in this show. I quickly realized the original way I intended to hang the flowers wasn’t going to work. I hadn’t allowed for how transparent some of the flowers were. In the end I mostly used a thick type of double-sided tape. As it came off quite often when I didn’t want it to, I really hope it comes off easily when I do! If not, you’ll hear the groan all over Townsville. The same goes for the black liquid chalk on the corridor walls. It takes a little bit of scrubbing but is supposed to just wash off.


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More Flowers

I’m still cutting flowers from recycled plastic for my Dreams of Verdant Decadence exhibition in the Vault space at Umbrella Contemporary Art. I’ve developed RSI; a trigger thumb, I think. I hope my poor thumb holds out until February 2 when the exhibition opens. I try to rest it by stopping to paint them in fluoro colours. It’s amazing what a blacklight will do to even the simplest of designs.

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Santa’s riding a heatwave this year. Stay safe, stay cool and have a brilliant 2024.

Lynn's flowers under blacklight
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Dreams of Verdant Decadence

I have an installation opening on February 2, 2024 at Umbrella Contemporary Arts, Townsville, in the downstairs Vault Space. For the past few months, I have spent most nights binge watching TV and making plastic flowers. Plastic flowers sound awful, I know. For decades, I have doodled flowers. I call them my fantasy flowers. Some of them have turned into sculptures. None of the flowers in the show are copies of real flowers. They are hand-coloured, ephemeral works. Some of them will fluoresce under UV light, others won’t. My friends know not to expect to see before the afternoon. I often see the dawn… and then go to bed. Everyone knows I’m a tad eccentric.

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Writing About Place Workshop

This workshop is one of the many fabulous events occurring as part of PUNQ

@Pop-Up North Queensland – PUNQ https://www.facebook.com/punqfestival

$50 per person | 2hrs | 8 participants | 18+
2-4pm Sunday 1 August 2021

Discover how words can reveal hidden insights into ‘place’ when you pick up a pen in this writing workshop. Beginners will be guided by Arts Townsville’s Lynn Scott-Cumming to write through the eyes of a character and demonstrate meaning and establish details.

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